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Short Drawing Tip #2

Warm-up your drawing hand inside and out! Sounds weird? Over the last few years I have started to feel the flexibility leave my nibble fingers. The result of 20 plus years of heavy carrying, pulling, lumbering and shovelling I donated to equine maintenance. Two years ago, I wrote this post Hot mugs and sketched circles  in which I explain the benefits of holding a hot mug of water for as long as possible letting the heat penetrate as deeply as possible (outside warm-up) and how I then follow-up by scribbling in quick succession a series of mad circles swooping them in all directions (inside warm-up). Actually, the post gains a wee bit more depth and explains how Renoir battled with arthritis ... ( if you have a minute you really should have a read or re-read: it's still amazes me how he (Renoir) overcomes crippling pain to produce such beauty.) Today, I have added another step  to my routine and that is to scrunch (10-20 times) a miniature rugby ball (gets the blood flowing nicely).

Tip #2 Warm up your hand, arm, shoulder, body before starting a drawing session. This really makes getting into a flow and finding a good rhythm that much easier. May sound mad but the result on paper has proved it to be well worth it!

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Short Drawing Tip #1

The choice of paper is crucial to a successful drawing yet in it's importance (and choice) very overwhelming. All you need to do is start searching the internet to be confronted and snowed under by soooooo much information and choice.

Paper choice is very personal and something that has to be tried out, literally. Pencil (your pencil) has to make contact with the paper. No amount of reading what other artists like and use will guaranty your own success. Trial and error (sadly) are in this case your best friends. As a guide and to help you shed a little light on the question "what paper?" here are a few relevant points to watch out for:

  • If you want a drawing with strong contrast, lots of spontaneity and are not too bothered about detail and realism then a "toothy" rough paper would suit you well. Strathmore Drawing paper is a nice quality toothy paper as is Fabriano Artistico .
  • Always always make sure you choose a good quality art paper. All quality papers are acid free. This ensures your work of art does not turn yellow a few years down the line.  I also like my paper to be thick (at least 250g), this way it can withstand much more handling (or in my case manhandling) without creasing or showing too many signs of wear.
  • Determine which colour you like the best for your work. Each paper will be of a different white. I find that by putting a selection of different papers together you can really get a good idea about the variation in shades of white. As a rule of thumb : realism works well on a crisp white paper  whereas a softer more flowing drawing is better suited to a warm-toned paper.  
  • Once you have found your paper, made the paper choice you know fits like a glove, make sure you stock up  and have enough to last the waves of inspiration. Nothing is worse than running out of paper when you are under pressure from both your muse and dead-lines.
  • Make sure you use a piece of paper larger than you need. This will insure extra room for spontaneity, miscalculation and a all over nice drawing experience. (I've had a few drawings falling of the edge the paper and it is the most infuriating thing.)
SDT #1 
Take your time in choosing a paper. Make sure you like the feel, the look (ie colour), the quality and the way it responds to your drawing. Most art stores will allow you to sample papers, discover their qualities, before committing to buying. Use this opportunity to make your own personal choice, put a bunch of quality samples together, take them home and get scribbling!
p.s: this is #1 in my series of Short Drawing Tips. Hope you've enjoyed it. Stay tuned for #2....

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"Unique Trust." New drawing

Unique Trust
Pencil on Paper
57 x 46cm
Sheona Hamilton-Grant. All rights reserved
After spending a little more than six weeks hand in hand with my feelings, memories and pencils, I proudly present "Unique Trust".
In line with my 2013 resolutions, I was determined to jump out of my comfort zone and roam a little in the unknown suburbs of my drawing ability.
A different approach had to be taken.
So I went big much much bigger, stepped away from the classic head pose and began discovering how to convey a very special intimate, precious moment. 
"Unique Trust" happened in layers: a layer of technical knowledge topped with a double layer of whipped emotions, sprinkled with a wee bit of pencil magic. 

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Where to (easily) find my studio blog Black on Grey on White

Interested in finding out more about graphite art and my passion for pencils?

My studio blog "Black on Grey on White" is only ONE click away. (pssst: this is where all the insider info, works in progress and other interesting graphite art information is revealed!)

Click HERE and you will be escorted over to "Black on Grey on White"

Look forward to welcoming you there.

Sheona

 

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"Above the Bit" New soluble graphite drawing.

Here is for your viewing "Above the Bit" my lastest equine study.

"Above the Bit"

23x22 cm. Graphite on paper

300 Euros ( 390$)

 The six mains steps in the creation of this study can be viewed on my studio blog "Black on Grey onWhite

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Anton, Rhodesian Ridgeback drawing


Anton and I spent a week together. The weather was shabby so the studio sessions even more welcome and appealing.  here is the result of spending a week of quality time together.

Anton is a very noble and gentle Rhodesian Ridgeback who absolutely loves to pose and be himself. This portrait will be joining the live Anton under the Christmas tree.

Technical details: Hahnemuehler Paper and 2B & 3 B clutch pencil.

The whole "making of" Anton can be viewed on my studio Blog Black on Grey on White.

Have a great week end.

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Finished drawing of highland pony

Here is the finished version of my highland show pony.

A great drawing to produce...I loved using the soluble graphite: never thought I would be able to produce work with a paint brush...!

The trick to this technique seems to be nothing more than layering. Dry "normal" graphite was used as a base layer, I then added a layer of the soluble graphite which I worked with a "barely" wet brush. This layering was repeated until the finished effect achieved.

Pencil used: Prismacolor water soluble graphite (dark) on Strathmore 400 series Bristol Board Vellum 2-ply.

"Welcome Impact"

Graphite on paper, 21x27 cm

P.S: Hope you like the title. Symbolises both how I feel about discovering this medium and hopefully how the viewer will react when seeing this lovely pony showing off...!

Curious to see the various stages of this piece? Steps and explanation can be viewed at my studio blog Black on Grey on White

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New online exhibition "Helping Paws 2008", proudly presented by the Canine Art Guild

The fifth Canine Art Guild online exhibition is now live...!

"Helping Paws 2008" is now online!

A wide and varied display of dog art can be viewed (and the best: all is for sale! Definately worth a visit!). Each and every artist entered has pledge to donate proceeds of their sales to a shelter or charity of their choice. Well worth a visit.

Here is one of my three entries "Close to Home"

"Close to home"

Mixed media (graphite/charcoal) on paper, 20x20 cm

200 Euros (20% donated to DCGR)

This is the best place for any dog: out in the open, on a long lead, beside its loved ones (not only one pair of legs but two!) discovering new sights and sounds. This black lab is well surrounded and at peace with its life. Through my art I would like to heighten the awareness of how these gorgeous, quiet and loyal canines are in dire need of a warm safe bed of a good home. The Dumfriesshire & Cumbria is a Scottish charity focused on re-homing retired or abandoned Greyhounds. As a charity they not only use what they raise for kennel fees, vet fees, fostering expenses and advertising but also try to raise public awareness of the plight of dogs at the end of their racing/coursing careers. To date 500 ex racers and coursers have found new homes.

Have a great week!

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Robert.New Greyhound graphite drawing

Robert is now officially finished.

After week "away", I brought him out for a tweak and he has now gone back to safety with a new improved pair of ears ( I do believe looking much happier for it!).

He's has also been priced and entered into the show: Helping Paws 2008.

"Robert"

Graphite on Paper, 26x23 cm

$ 350 (20% donated to DCGR)

As always million thanks for looking. Feel free to have a peak at my studio blog anytime. Cheerio

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Past to Present - new pencil drawing

Here is Past to Present.

There will always be a gap between generations. This is normal and healthy.

Past & present shows how much trust, respect, confidence, understanding and strength can be achieved by bridging generations.

I loved drawing this piece.

Many reasons spring to mind (new territory, new subject, new challenge, new approach...)

However, the main reason has to be (symbolism aside) rendering three totally different textures: hair, cotton and skin.

I used a 2B, 5B (for the dark jeans) and F (for skin). The T-shirt I will admit was rendered by blending 2B which I then layered with F to get the smoothed crushed feeling. The paper used was Mellotex a very thick smooth white paper.

I'm glad I found the TLC this piece needed last week.

Now: it's back to gorgeous 4 legged subjects.

Cheers for now

As always please feel free to check out my blog Black on Grey on White at sheonas.blogspot.com

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New graphite drawing..step in a new direction

The dust had settled just a little up in the studio but nothing too thick that one wee puff of breath couldn't dislodge...
Here's what I found:
A new study... still very much in progress. I like it because it's heading in such a new direction (2 legged subject as opposed to 4!) and also because, as we all know, hands are the ultimate challenge.
With a little bit of luck and professional time management, I 'll be able to get a few more sessions in before the week is out... and give it some much needed TLC!

Make sure to also check out my (almost) daily studio blog at: http://sheonas.blogspot.com/

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Another spring foal in full action


"Fancy Free" is finished and framed. 
Ready for Windsor next month. 
This is my third action study of Zig Zag a three day old filly German Warmblood.
Once again captured in full flight...well, on take off! 
Enjoy.

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An artists "Response" to every day fustrations


"Response", pencil on paper

Have you ever felt that you are just not sure which way to turn and what to think?  
Well this was the basic state of affairs for me last week.  
I had no clue how to deal with everything (professionally and privately) being chucked at me that I just ended picking up a pencil and going for it!  

"Response" is the result of my mayonnaise of feelings...it took ages to draw.  
I took 2 days to getsome sort of a good flow going but then as the week went on and my gritty determination got stronger, it all fell into place.
I like the result.  
I like the symbolism: it's not all dark and just like life you can respond and swich away most of the rubbish you get delt!

Pencils need sharpening, thanks for popping by...

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Ciao, new drawing of foal in full flow.


"Ciao", pencil on paper

Here's the follow on to last weeks "Footloose": "Ciao"

This is Zig Zag once again at full speed on a fresh sunny spring morning.  
The very interesting thing about drawing foals is the way in which you have to render their little muscles: they are so defined and tense yet underdeveloped.  The other thing is the over-dimensional width and length of their legs...a little surreal. Just can't help smiling when drawing them though.

Thanks for popping by,

more soon.

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"Footloose" New Foal Drawing for the start of spring.


"Footloose", pencil on paper

Here she is again: young filly Zig Zag frolicking around as a playful three day old.
New title of this study: "footloose": it sprung to mind and just stuck....!
It's not a massive drawing 17 x20cm (image size), I've had very little time this week (the girls are still on their Easter break and are keeping me on my toes.) 
So this is a result of my night shift endeavour. 
Had fun, loved the mixed expression of determination and surprise in her young eyes.
They are just soooooo cute at that age.

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"What's on the Table?", new canine drawing.


These 2 dogs, although total strangers to me, really brought back vivid memories of my beloved black Lab: their fascination with food, the way their heads are tilted back, the crooning of the neck, the shine of their black coats in the summer sun…all memories dear to my heart.


I drew this study using reference photos I took last summer. Two guesses as to what is on the table...(usually made from dairy cream and eaten in the summer!).  Longing for the summer sun had also a little to do with the idea and concept.

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To Rex, last commissioned drawing before Christmas


Final lap before the presies need to be bought and wrapped.  
Finished this drawing of Rex just in time. Signed and delivered.
Time now for me to tidy the pencils away, hang up the mistletoe and bring out the Christmas cheer.
Have a wonderful Christmas and all the best for 2008.

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Head to Toe, equine pencil drawing


Head to Toe

"Head to Toe" is a pencil drawing of a dapple grey gelding going about his daily exercising. The reference photograph was taken this summer and crying out ever since to be converted to graphite.
When riding daily, this was a very normal site for me.  A horse on the bit, relaxed and enjoying his work.  Now, this is something that I miss.

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Quality Time, new drawing of father and child


Quality Time

Finished, proud and relieved.
Gentle Tom was not a one off , Quality Time is the follow up to working out of my comfort zone.
This latest drawing is a  little piece I have done on the side...I felt I had done really well with the commission work and allowed myself a little treat. 
Quality Time is the result.  It has taken 10 days to complete and roughly 50 hours and a whole load of ups and downs.  (Must admit that at one point it was steely determination that kept me going...!)
At the end of the day, there must have been more ups because I can't wait to get cracking on my next project.

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